May 24th, 2008 bhenricksen
Charles Baxter’s The Feast of Love was a finalist for the National Book Award in 2000 and has been made into an excellent film with Morgan Freeman. I’ve just finished reading the novel, finding it charming and moving. Rather than focusing on a single protagonist, Baxter coaxes together a wonderful ensemble of characters, each recounting his or her own amorous tale.
The unifying device is the notion that each character is speaking to the author, Baxter himself, as he seeks out people to tell him about their encounters with Cupid. Baxter is deft in creating the unique voice of each character, and perhaps he’s at the top of his game with the character of Chloe, a latter-day flower child who broke my heart and then put it together again.
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May 19th, 2008 bhenricksen
Lost Hills Books became a reality last December, when the two titles featured on the website arrived from the printer. I promptly sent copies to a person living in my town who writes book news for a magazine. She and I are members of a large, regional writers’ group, and of course I thought I might receive a response. Nope. Recently, I emailed her to ask if the books had been received and if she might be able to mention them in print. She replied that she doesn’t read unsolicited books and that mine had been passed on to charity. Splat.
As a check on my perspective, I’ll tell a story I’ve told on myself before. I taught English at Loyola University New Orleans in the 1970’s, and somewhere around 1977 Walker Percy agreed to drive over the causeway from Covington a couple of times a week to teach a creative writing class in our department. His presence was a gift to the university and a definite feather in our cap. Department members promised to see that things went smoothly for him, which included insulating him from people who might show up seeking favors. Walker had been a bit of a recluse in Covington.
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May 8th, 2008 bhenricksen
A couple of weeks ago my wife and I drove to Crosby, a small city about 100 miles west of Duluth. This year is the 30th Anniversary for the Hallett Memorial Library, and Peggi, the lady who runs things with great energy, skill and good humor, had invited me as part of the celebration. On Thursday evening I spoke about James Wright, and on Friday I conducted a workshop on fiction for the Quill Masters.
The QMs are an enthusiastic group of local writers, and we had a lot of fun bouncing ideas around. I talked about how to tweak dialogue to suggest the things that characters won’t say outright, and how to shape plots so that what is unsaid at the outset rises to the surface as things heat up.
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April 29th, 2008 bhenricksen
Being an obscure writer with an obscure publisher puts you out there on your own. You’re a Willy Loman, chatting up the managers of bookstores, writing snappy letters to regional buyers, and leaving off fliers at libraries. Willy was out there on a shoeshine and a smile. I wear sneakers. Either way, you meet all kinds, and it can be especially exciting if you have a speech problem. Read the rest of this entry »
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April 26th, 2008 bhenricksen
Since I do a little writing, I enjoy metafiction, stories and novels in which the creative process itself is part of the theme. A great one from a couple of decades back was The French Lieutenant’s Woman by John Fowles. In this tale a shadowy figure representing the author makes an appearance. In the excellent film adaptation, the movie makers become the story in the last act. Another fine novel was Italo Calvino’s If On a Winter’s Night A Traveler. It is interesting to speculate on how the expectations of readers, not to mention the way minds process information, help to shape the story, and Calvino’s novel begins with the reader browsing in a bookstore. At every stage in If On a Winter’s Night, the reader steps in to have a say. Narratives are driven by the desires of the primary characters, but also, Calvino shows, by the desires of readers. Read the rest of this entry »
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April 13th, 2008 bhenricksen
The older I get, the more I value short novels. It’s a ratio thing. When I sit down to read, I wonder what percentage of my remaining life will be devoted to the book that is now in my hands. And what percentage of that remaining life am I willing to live vicariously? In college we read War and Peace, a hundred pages a week for nine or ten weeks. I read it all and was impressed with myself. Last year I decided to read it again, just to see how the characters were doing. The second reading was simply a chore. Tolstoy had become long winded–all that theory-of-history stuff! All that editorializing! And Pierre . . . how did Professor Ramsland ever convince us that Pierre was an interesting fellow? Or had Pierre simply become plump and boring from dozing there on my bookshelf all those years? If I were in the book bizz today, I’d put out an edited version of War and Peace–all the lame theorizing would go, and definitely Pierre would be off the team. Hamlet without the Prince of Denmark? I don’t think so–it would be War and Peace without the dumb guy. Read the rest of this entry »
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April 10th, 2008 bhenricksen
Graywolf Press of St. Paul, MN is publishing a series of books on the art of literary writing, each focusing on a different aspect of that art. Judging from the two I’ve read so far, this may well become the definitive collection for writers, teachers, and readers.
Ron Carlson Writes a Story, by (surprise!) Ron Carlson, takes us through the writing of one of his short stories, discussing his creative process in nearly a line by line fashion. The book is perhaps a more useful version of Robert Olen Butler’s video of himself writing, and it is also reminiscent of Roland Barthes’ S/Z, which offered a line by line analysis of Balzac’s “Sarrasine.” Carlson starts by talking about where the general idea for the story (”The Governor’s Ball”) came from, moves on to how he named his characters, and then to how he placed them in a specific setting. In discussing dialogue, he dismisses the old view that it should serve mainly to advance plot. Carlson’s advice is for the writer of a more modern, character-driven fiction, where dialogue exists as a window into the unconscious and the unsayable, a window into subtext.
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April 9th, 2008 bhenricksen
I live in Duluth, springtime’s last stop, so my wife and I looked forward to our short stay in the Twin Cities over the weekend. I’ve edited a collection of poems in honor of a great American poet, and we went 150 miles south to do a couple of book events and to see green grass. We called our trip The James Wright Mystery Tour, the mystery being whether anyone would show up for the events. From the Other World: Poems in Memory of James Wright has contributions from some major American poets–Galway Kinnell, C. K. Williams, and others–and also from some fine poets with a more regional fame. A few in this latter group joined me to read both their own poems and Wright’s, and to talk about his importance to Minnesota. Wright had taught at our state university in the Sixties and wrote some of his best poems during those years. Read the rest of this entry »
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